Qué tendrá
3m 15s 120 BPM
"Qué tendrá" is a song I have written for my girlfriend, Ángela. It was created with AI using the same technique I used for 'Esos besos,' but more refined. It is part of my path of experimentation to include AI generation in a creative process of musical production where human sensitivity and AI agility enhance each other.
Esos Besos
2m 21s 120 BPM
"esos besos" Is the first song I made with AI help. The lyrics are 100% mine, but I generated several hours of AI music, and then I have made a two and a half minutes collage. It's latin urban style, but I have put some love on the lyrics. It's not just a bunch of words, it has meaning, it has emotion. I hope you like it.
Universe
3m 15s 135 BPM
"Universe" is a techno track that transcends just being about positive energy for dancing and fun. It blends futurism with primitivism, aiming to convey the interconnectedness of life's origin and destiny. We stem from the stars and are driven by our desire to reach them.
We will never die
2m 35s 125 BPM
"We will never die" is a dance song about the incomparable joy of being with the love of your life. It's a feeling of blissful contentment enveloped in a sense of unique and magical connection, where the world fades away, leaving only the two of you in your own private universe, no matter how crowded the room, because you and your beloved are all that truly matter to one another, like two stars so close that they orbit around each other, existing in the midst of the immense galactic void, brimming with other stars that mean absolutely nothing for you.
Fuck Off, Baby
4m 32s 120 BPM
"Fuck of Baby" is a slow dance song, meant for close dancing. It features three vocal lines. The first one, in Spanish, emotionally expresses the evolution of love from a romantic perspective. The second, in English, discusses the denial of a breakup and the hope for reconciliation. The third, also in English, speaks of the confirmation of the breakup and the need to move on. A unique feature is that at one point in the song, the two English vocal lines merge into a polyphonic chorus, expressing that all-too-common moment in breakups where one person wants to return while the other does not.
Los Muros más Altos
2m 44s 130 BPM
"Los Muros más altos" is a song of indeterminate genre. It's an experiment that plays with various elements recorded live. I sing in Spanish and live (without any autotune or correction) accompanied by a vocoder. The lyrics speak metaphorically about the barriers we create to protect ourselves from emotional harm, even that which is done unconsciously. The female choir, also performed live without any correction, was composed and interpreted by A. Pinkevych
Sound Track
4m 33s 100 BPM
"Soundtrack" is an epic electro piece. It aims to express the grandeur of a collective endeavor where the goal is far more significant than individual egos, through the combination of elements that all drive the song in the same direction. The ending conveys that the endeavor doesn't stop, as there is always a new challenge, a new frontier.
Traia
5m 12s 145 BPM
"Traia" was composed in 2006, and I'm reviving it in this new artistic venture because it is by far my biggest success among my old songs. It's a techno piece that always gets people dancing. No matter the place, time, or audience, if you play it, people dance like crazy.
Besame
4m 05s 135 BPM
"Besame" is a techno track. It is structured around two seemingly different movements that are ultimately combined thanks to common basic musical elements. It tries to express how we are not as different as we may seem, after all, we all kiss when we love each other. (Which I think is nicer than saying that we all bleed when we are hit).